
Tuesday, 13 July 2010
D-Bridge: Love Hotel/Dim Light

Monday, 12 July 2010
World Cup 2010: Seven under par

Very few will have had him down as a bottler before the tournament started but this, like everything else concerning England, is now up for revision. Rooney cut a frustrated and occasionally apathetic figure on the pitch, leading to rumours about both his fitness and happiness during the tournament. Irrespective of the alleged disillusionment in the England camp and the reasons for the lacklustre team performances, Rooney’s touch and passing were poor throughout and he displayed little of the determination that makes him such an intimidating prospect in the Premier League.
Fernando Torres (Spain)
Torres must be starting to wonder if he’ll ever be fully fit again after another important competition passed him by due to injury. He, like many other Premiership players this summer, did not look fit from the beginning and he remained rusty throughout, labouring with and without the ball. After coming on as a substitute in the final, his last minute groin injury meant that, while Spain saw out the remainder of extra time, he was lay prone on the grass, covering his face with his hands. Football and the future must have seemed pretty bleak as he received treatment for yet another injury while his compatriots celebrated victory at the final whistle.
Steven Pienaar (South Africa)
Heralded by every TV commentator as South Africa’s hero, it became impossible for Pienaar to touch the ball without a pundit reminding us of ‘what a season he had at Everton’. Unfortunately, while they waxed lyrical about the tackles he made away at Bolton last season, Pienaar was being outpaced as he made futile attempts at beating his marker. Pienaar looked slow and ineffective in all South Africa’s World Cup matches and was overshadowed by more dynamic team-mates like Siphiwe Tshabalala. He may well have had a decent season with Everton last year but, without Cahill or Arteta alongside him, he looked as average as his club side.
Nicklas Bendtner (Denmark)
After Denmark quietly bowed out at the group stage, the self-proclaimed greatest striker on the planet revealed he was carrying an injury at the World Cup. Arsenal will, in a perverse way, be hoping Bendtner isn’t just making excuses, as he was totally mediocre for the Danish. It would hardly have taken a virtuoso performance to look good playing up front with a decrepit John Dahl Tomasson but Bendtner often looked the least threatening out of the two and contributed little more than several miscued shots and some uninspiring back-passes. His optimistic assessments of his own ability mean he’s subject to added scrutiny, which, particularly on this occasion, is unfortunate.
Vincenzo Iaquinta (Italy)
Italy looked conservative and toothless in attack throughout their group games and it was baffling that Iaquinta played so much despite Lippi having Quagliarella in the squad. Iaquinta was slow, his first touch was consistently terrible, and he forced Italy to play a fruitless long ball style on numerous occasions. The sort of pace, craft and technical ability Quagliarella had to offer became evident during the second half of Italy’s match against Slovakia, when he played in his only game of the tournament. Iaquinta will be too old to play in Brazil 2014 and he was too inept to have played any major role in World Cup 2010.
Humberto Suazo (Chile)
There was always likely to be a certain level of curiosity, if not firm expectation, about a player who has been named The World’s Top Goal Scorer in the past, even if his 52 goals from 54 games in 2006 were scored in the Chilean league. Ultimately, Suazo’s tournament was compromised by a hamstring problem but in two appearances he committed unnecessary fouls and fluffed several good chances. Alexis Sanchez was the real spearhead of a fast, attacking Chilean side and Suazo looked more like hindrance than help whenever he got involved.
France
Even without Zidane, the French team was still good enough on paper to compete at a World Cup. Having players like Evra, Malouda, Anelka, Gallas, Sagna, Abidal, Ribery, Cisse and Henry should have ensured much better performances than France gave in Group A. No-one expected much from the French side but they still underachieved. Domenech should have been sacked years ago, it’s just a shame for the French people that members of their football federation were the only ones who didn’t see it.
Thursday, 10 June 2010
You're not giving me the horn

On the eve of the opening match, the only phenomenon likely to spoil the 19th FIFA World Cup, other than injury to the best players, is the vuvuzela.
The vuvuzela, a plastic trumpet about a metre in length that emits a flat, loud, monotone blare, has been adopted by South African football fans as a symbol of their enthusiasm but was almost banned from this year’s World Cup after complaints from European players and coaches, and most broadcasters.
The decision not to ban these ‘instruments’ will prove detrimental to the world’s enjoyment of the tournament and the reasons behind allowing them are driven by political correctness and a confusion over the real issue with the vuvuzela.
When Sepp Blatter admonished those advocating a ban by saying, ‘we should not try to Europeanise an African World Cup.’, he showed that he had completely missed the point. A ban on the vuvuzela is not a ban on South African football culture, it is merely removing one particular element of it that the majority of people seem to find, at the very least, rather irritating. It is not racist or an attempt to impose an alternative culture on a group of people to ban the use of one particular instrument. Blatter adds that African and South African football ‘is all about excitement, dancing, shouting and enjoyment’, and nobody is trying to stop that; conflating the drone of thousands of vevuzelas with ‘excitement, dancing, shouting and enjoyment’ is absurd.
In any case, there is enough evidence to suggest that the vuvuzela is far from an ancient African artifact and actually a cunning invention by someone with entrepreneurial spirit and a faith in mob culture. There will certainly be a few people somewhere that like the vuvuzela, knowing that they’ve become a whole lot richer courtesy of those who decided it was better to pay for an oversized horn than make noise with their own (free) voices.
There is a need to recognise that there are some noises that we, as human beings, find deeply unpleasant. If, through some strange arrangement, the FA supplied every England fan with a chalkboard and asked them to scratch them incessantly for 90 minutes, people from other countries could, legitimately, demand that they refrain. The same would be true if German fans were all given a copy of their Eurovision entry for 2010 and asked to play it on their own personal ghetto blasters inside the ground for a full 90 minutes.
This last scenario would, in fact, be more musical than the noise the vuvuzela makes. It is bad enough to have been compared to the tortured wail of a dying elephant, so when writers begin articles with sentences like, ‘Music will play a big part [in the world cup], and in particular, a trumpet called the vuvuzela’ they are, in fact, making paradoxical statements. There is nothing to recommend one, flat droning note as ‘music’, just in the same way you wouldn’t liken the noise of a washing machine to a Brahms violin sonata.
For all the accurate descriptions of the awful noise this terrible invention makes, it would not be so unbearable, and there would not be such desire to ban it, if it didn’t go on constantly. It's not the noise they make per se, but that fact that it never stops. Apologists for the vuvuzela talk about the ‘electrifying atmosphere’ it creates, when in fact it does nothing but drown out all other noise and detract from the match. People blowing the vuvuzelas do so all the time, with no reference to actual events in the game. It creates the impression that most of those in the stadium have very little interest in the football itself. If fans blew them in reaction to on-field events rather than relentlessly, the noise wouldn’t be so intolerable and might genuinely add to the atmosphere, as there would be some contrast in its volume over the course of 90 minutes. If someone wants to argue that the idea of fans reacting to on-field events is inherently European, then we should also admit the argument that blowing a trumpet constantly for 90 minutes, with no regard for the football, is inherently moronic. Thousands of vuvuzelas blown constantly do nothing for the atmosphere but create expressionless and soulless noise that detracts from more rousing crowd noise, including the euphoria of goal celebrations and the drama of controversial decisions.
Ultimately, the vuvuzela will prove to be an irritant and possibly the lasting legacy of the 2010 World Cup. It’s a pity for those interested in watching the tournament over the next six weeks but the real losers will be the people of Africa because the rest of the world will want their football played elsewhere from now on.
Monday, 21 September 2009
Boating in Amsterdam
Friday, 29 May 2009
Bulletproof

Friday, 1 May 2009
It was acceptable in the 80s (and now)

Ah, fashion; crazy isn't it? There I was, as a 15 year old, hating anything and everything the 1980s had to offer and now I'm like a rabid dog frothing at the mouth with glee anytime I see a shellsuit or hear a synth or a vocoder. Step in 2000F & J Kamata to prove my point: You Don't Know What Love Is.